Bhau Kadam and Kushal Badrike’s camaraderie is the highlight of Pandu

The late Dada Kondke has influenced an overall era of viewers, filmmakers and actors in Maharashtra, and Pandu is a testimony of that. No, it truly is not a remake or sequel of Dada Kondke’s legendary Pandu Hawaldar, but a tribute to Dada Kondke.

Pandu won’t make tall claims it stays genuine to the essence of Dada Kondke’s movies, with one particular sole reason – that of entertaining the masses. And who greater to do that than two of the most perfectly identified comedians from the marketplace?

Bhau Kadam and Kushal Badrike workforce up for this comedy, creating it the first time for the two to be acting together on the large display. The movie commences with the Bhau (Pandu) and Kushal (Mhadu) doing at a programme in honour of politician Babasaheb Pathare (Pravin Tarde). Pleased with their efficiency, Babasaheb fulfils their desire of accomplishing a task for livelihood and gets them inducted as Hawaldars in the Mumbai police drive. What follows is a comedy of glitches, twists and turns, and a hatke climax.

Comedy with double meaning jokes is a tricky region. It needs to have just the ideal equilibrium a little less can make it drab, and a small much more can make it crass. Director Viju Mane manages to strike a equilibrium, making you chortle with just the correct tadka.

The performing section is full of known names and they supply what is predicted of them. Anybody else in place of Bhau Kadam for this role may possibly not have hit the mark, but the ace comedian nails just about every punch line when retaining a sure stage of innocence. Kushal as Mhadu is the ideal companion to Bhau’s Pandu and provides an similarly good effectiveness. Neither of these two overpowers each individual other. Sonalee seems to be wonderful no question, and she also gets to pack a punch (virtually) as Usha. The actress’s element is pivotal to Pandu’s plot. Pravin Tarde commands the display screen as Babasaheb Pathare though Prajakta Mali emerges as a surprise package in this equation as Babasaheb’s daughter.

As entertaining as Pandu’s 1st 50 % is, the film loses pace in the second 50 %. Though the climax earns some brownie factors, the film does not make a finish turnaround. There are some supporting figures extra for comedian aid, but doing absent with some of them would not really have designed a lot of a variance. Hemangi Kavi, for case in point, does not have a lot to do apart from developing Mhadu’s married lifetime, nor does Shahbaz Khan.

All stated and finished, Bhau Kadam and Kushal Badrike’s camaraderie is the emphasize of the movie. Which is also what most people today would go to look at the film for. The two never disappoint. The same are unable to be explained about the movie as a whole however.

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